"pinche vieja puta komo te amo"

kreo ke sería un buen titulo para un libro

gente, disculpenme si ando de putita sentida, es la luna llena ya saben no es nada de eso ke me kiero konvertir en lobo o wampiro no no! son kosas mas chafas, hace 24 lunas llenas (ay wey kasi no te traumas eh!) vi la luna llena en Mazatlan salir roja desde el mar eran las epokas de konfucion desmadre tristeza felicidad y bla bla bla para mas informacion vayan a los inicios de este blog y sabran mas o menos de lo ke les hablo, si, puta madre extraño ese día y extraño el pasado lo hago y ke pedos hoy extraño el pasado verdad ke nadie me va a renegar eso? a poko no es muy mi pedo?! mañana ya se me pasará pero es ke es Soda stereo es la Luna, son las fechas son las vacaciones es esta puta mente ke no deja de divagar, esto es un mail ke le mandé a ella en un intento desesperado no fallido por kausar un krater en la Luna bueno aki lo tienen.

...
... ... mas dots
mas... y mas...
hace mucho ke no escribo porkerias mmm... deja pongo algo para inspirarme...
...














ya
apc eso es todo

odio mi vida y me odio a mi mismo, porque no tengo amor, porque no quiero amor, hay un pesar en mi cabeza que no me deja pensar .
no kiero morir, porke he de kererlo? pero hay algo ke no se ke me hace sentir ke kuando estoy mejor ke en mucho tiempo me dice ke regrese ke no debo avanzar ke ese no soy yo ke debo de ser komo antes.
y veo atras y ese sonidito tiene razon odio mi vida odio en lo ke me he convertido porke gracias a mi estupido kambio he sufrido mucho porke me he hecho alguien menos egocentrista y ke sí piensa en los demas, porke al kambiar a ser algo ke odio me doy kuenta ke tengo a 4 personas muy keridas a parte de mi familia a mi alrededor y a muchas otras ke tambien estan ahi.
pero veo lo ke he perdido, esa vida insipida y alejada de muchos placeres, y ver ke akellas lagrimas ke no hace mucho tiempo deje de derramar por mi soledad pero hay alguien a la ke le debo el dejar de pensar en eso y aunke no duro mucho siempre voy a estar odiandola por haberme enseñado a kererme a decirme ke soy alguien bueno y ke me debo de kerer.
odio el saber que ya puedo tener confianza en alguien y ke se ke siempre estara ahi porke yo siempre estare ahi, no importa lo ke diga no importa lo ke haga, te quiero, y me odio por haber aprendido a perdonar no se si sea perdonar o ser menso pero me gusta.
tengo tantas cosas que reclamarle a mucha gente tantas son tantas pero mejor solo kallo y me lo kedo en mi .
me odio por haber kambiado porke de no ahber sido asi no habria recordado lo ke signifika un amigo un te quiero, me odio porke he pasado los mejores momentos de mi vida llorando y riendo kon mis amigos.
prefiero morir ardiendo en mi propio fuego que extinto por los demas.

































porke se ke no he derramado lagrima ke no valga la pena
atte. carlos cabuto 4-04-03
(gracias por ser martha, te quiero mucho)

-----------------------------------------------------------------

oh si gente siempre he tendido hacia la autodestrucion, y komo me gusta desmadrarme.

hoy despues de año y medio mas o menos me volví a subir a la medusa en el six six six flags, fue la banda pero fué mas la banda subirse al superman

hablaría de esas mentadas pulseritas Livestrong pero son una mamada fresa para ke hagan parecer ke los fresas realmebte tienen sentimientos... bah! prefiero darle mi morraya a un vagales en el metro, ke si amarillas pal kancer rosas para el de máma, verdes para herpes genital y cafe para gamborimbos kon mas de 2 años pura mierda (karajo siempre si terminé hablando de esas kosas) y asi seas un "chiko kool ke es parte de una sociedad concientizada"... y ke vean ke la generaxion x no es tan x ja! pendejadas

duriiiiiiiiisimas!

Te para tres
Soda Stereo

(parte del soundtrack de mi vida)

Las tazas sobre el mantel
La lluvia derramada (si, estaba lloviendo)
Un poco de miel, un poco de miel no basta (mi vida es demasiado amarga)

El eclipse no fue parcial (la luna tapaba al sol, pero tambien a mi me eclipsaban)
Y cego nuestras miradas
Te vi que llorabas, te vi que llorabas por el (lo ví... yo tambien hacia algo recíproco)

Té para 3

Un sorbo de distraccion (palabras mentirosas)
Buscando desifrarnos
No hay nada mejor, no hay nada mejor, que casa (es verdad)


Té para 3 (mejor para 4)

ñaa vayanse a la verga

por ratos esta ciudad con el horizonte despejado parace ser un lugar decente, no lo es, el viento esta bien kabrón, de noche parece ke alguien habla en mi oido, despierto emocionado pero no es alguien, es solo nada, es solo física, es solo acustica, es solo viento produciendo ondas el ser cortadas las corrientes por la lámina de fibra de vidrio, no han bajado angeles electricos quebrado el silencio pero no tardarán.

y ahora ye es mañana... por eso me pregunto acerka del tiempo... there can be no turning back

falta un minuto

Today I am searching for it
A feeling that won`t go away
Today I am searching for
The only one I know
Trying to break free

I just can`t help myself
I`m feeling like I`m going out of my head
Tears my soul into two
I`m not the one I thought I always knew
-Dream thater

Ya tenia un chigo ke no escuchaba este disko

para ke se necesitan letras si la guitarra se expresa mejor ke tu?

Overture-Dream theater-John Petrucci

D5
__3____ __3__ __3____ __3____
4 |-|-| | |-|-| |-|-| | |-|-| | fade in
4 | | | | | | | | | | | | | | |
E|-------------------------------------------------|---------------------
B|-------------------------------------------------|---------------------
G|-------------------------------------------------|---------------------
D|-0-0-0-0-----------0-0-0-0-0-0-0-----0-0-0-0-----|---------------------
A|-------------------------------------------------|---------------------
E|-------------------------------------------------|---------------------
PM - - - - - - - - - - - - - - - - - - - -/
D5- more or less
__3____ __3__ __3____ __3____ __3____
|-|-| | |-|-| |-|-| | |-|-| | 2 |-|-| |
| | | | | | | | | | | | | | | 4 | | | |
E|-------------------------------------------------|---------------------|
B|-------------------------------------------------|---------------------|
G|-------------------------------------------------|---------------------|
D|-------------------------------------------------|---------------------|
A|-5-5-5-5-----------5-5-5-5-5-5-5-----5-5-5-5-----|---5-5-5-5-----------|
E|-5-5-5-5-----------5-5-5-5-5-5-5-----5-5-5-5-----|---4-4-4-4-----------|
B| 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
This is probably a seven-string guitar

Next comes the intro riff, D Lydian scale.

D
___ ___ _______ ___ ___ _______
| |-| | |-| | |-| | |-| | |-| | |-|
| | | | | | | | | | | | | | | | | |
E|-----------------------------|---------------------5-------|-----------
B|-7---------7---------7-------|-7---------7---------7-------|-----------
G|-7---------7---------7-------|-7---------7---------7-------|-----------
D|-------0-0-------0-0-----0-0-|-------0-0-------0-0-----0-0-|-----------
A|-----------------------------|-----------------------------|-----------
E|-----------------------------|-----------------------------|-----------
PM-/ PM-/ PM-/ sim.

E7/D D
___ ___ ______ ___ ___ ______ ___ ___ _____
| |-| | |-| | |-| | |-| | |-| | |-| | |-| | |-| | |-|
| | | | | | | | | | | | | | | | | | | | | | | | | | |
E|-4-------4-------4------|-4-------4-------4------|---------------------|
B|-3-------3-------3------|-3-------3-------3------|-7------7------7-----|
G|-4-------4-------4------|-4-------4-------4------|-7------7------7-----|
D|-----0-0-----0-0----0-0-|-----0-0-----0-0----0-0-|----0-0----0-0---0-0-|
A|------------------------|------------------------|---------------------|
E|------------------------|------------------------|---------------------|
sim.

E7/D
similar rhythm
E|---------------------5------|-4---------4---------4------|-------------
B|-7---------7---------7------|-3---------3---------3------|-------------
G|-7---------7---------7------|-4---------4---------4------|-------------
D|-------0-0-------0-0----0-0-|-------0-0-------0-0----0-0-|-------------
A|----------------------------|----------------------------|-------------
E|----------------------------|----------------------------|-------------

sextuplets throughout
E|-4-5-4-2-----------------------------------------|----------------------
B|---------5-3-2-5-3-2-----------------------------|----------------------
G|---------------------4-2-1-4-2-1-----------------|----------------------
D|---------------------------------4-2-0-4-2-0-----|----------------------
A|---------------------------------------------4-2-|----------------------
E|-------------------------------------------------|----------------------
PM - - - - - - - - - - /

Some arpeggiated chords, let ring throughout. (Still distorted) The
tonality is more or less A Dorian.
This guitar part appears later in One Last Time and Strange Deja Vu
This section is later referred to as Rhy Fig. 1

A2 B5
_____ _____ _____ _____
| | |\ | |\ | | | | |\ | |\ | |
| | | | | | | | | | | | | |
E|---------------------------------|---------------------------------|----
B|-------------0---------------0---|-------------0---------------0---|----
G|---------2-----------2-----------|---------4-----------4-----------|----
D|-----2-------------------2-------|-----4-------------------4-------|----
A|-0-------------------------------|-2-------------------------------|----
E|---------------------------------|---------------------------------|----

A2 F#11
_____ _____ _____
| | |\ | | |\ | | |\ | |\ | |
| | | | | | | | | | | | |
E|---------------------------------|---------------------------------|----
B|-------------0-------------------|-------------0-------------------|----
G|---------2-----------------------|---------------------3-----------|----
D|-----2---------------------------|---------4---------------4-------|----
A|-0-------------------------------|-----4-----------------------4---|----
E|---------------------0-------0---|-2-------------------------------|----

A2 B5
sim.
E|---------------------------------|---------------------------------|----
B|-------------0---------------0---|-------------0---------------0---|----
G|---------2-----------2-----------|---------4-----------4-----------|----
D|-----2-------------------2-------|-----4-------------------4-------|----
A|-0-------------------------------|-2-------------------------------|----
E|---------------------------------|---------------------------------|----

C2 D(4)
_____ _____
| | |\ | | |\ | | |\ | |
| | | | | | | | | |. |
E|-------------3-------------------|---------------------------------|----
B|---------------------3-----------|-------------8-----------7-------|----
G|---------5-------------------5---|---------7-----------------------|----
D|-----5---------------------------|-----7---------------------------|----
A|-3-------------------------------|-5-------------------------------|----
E|---------------------------------|---------------------------------|----

The next riff is mostly E whole-tone scale.
_______ ____ _____ _______ ____ ______ _______ ____ __3____
3 |-|-|-| | | |-| | |-|-|-| | | | |-| |-|-|-| | | |-|-| |
4 | | | |^| | | | | | | | |^| | | | | | | | |^| | | | | |
E|----------------------|----------------------|-------------------------|
B|----------------------|----------------------|-------------------------|
G|----------------------|----------------------|-------------------------|
D|----------------------|----------------------|-------------------------|
A|--------~~~~----------|-5-4----~~~-----------|--------~~~--------------|
E|-0-2-4-6----0--0-0-0--|-----2-4----0--0--0-0-|-0-2-4-6----0---0-0-0-0--|
PM - - / PM - - -/ PM - - - -/

_______ _______ _____6_____ _______ _______ _______
|-|-|-| | | |-|-|-|-|-| |-|-|-| | | |-|-|-|
| | | |^| | | | | | | | | | | |^| | | | | |
E|-------------------------------|---------------------------|------------
B|-------------------------------|---------------------------|------------
G|--------~~~--------------------|---------------------------|------------
D|-----4-6-----------------------|---------------------------|------------
A|-5-7---------------------3-5-7-|---------~~~---------------|------------
E|---------------0---2-4-6-------|-0-2-4-6-------0---0-0-0-0-|------------
PM - - - - - -/ PM - - - -/

_______ _______ _______ _______ _______ __3____
|-|-|-| | | | |-| |-|-|-| | | |-|-| |
| | | |^| | | | | | | | |^| | | | | |
E|---------------------------|-----------------------------|--------------
B|---------------------------|-----------------------------|--------------
G|---------------------------|-----------------------------|--------------
D|---------------------------|-----------------------------|--------------
A|-5-4-----~~~---------------|-----------------------------|--------------
E|-----2-4-------0---0---0-0-|-0-2-4-6-------0---0-0-0-0---|--------------
PM - - - -/ PM - - - -/

_______ _______ _______ ______3__ ___ __3____ __3__ __3____ __3____
5 |-|-|-| |-|-|-| - | -| | |-|-| - | 4 |-|-| | |-|-| |-|-| | |-|-| |
4 | | | | | | | | | | | | | | | | |.4 | | | | | | | | | | | | | | |
E|---------------------------------------|---------------------------------|
B|---------------------------------------|---------------------------------|
G|---------------------------------------|---------------------------------|
D|-----4-6-----------------------------3-|-2-2-2-2--2-2-2-2-2-2-2--2-2-2-2-|
A|-5-7-----7-5-----7-----5-----3-1-----3-|-2-2-2-2--2-2-2-2-2-2-2--2-2-2-2-|
E|-------------6-4---6-----4-------2-1-1-|-0-0-0-0--0-0-0-0-0-0-0--0-0-0-0-|
PM - - - - - - / PM - -/ PM - - - - - - - - - - - - - /

Now, the keyboard solo. The guitar plays the intro riff (slightly modified
here and there) :

D
E|-----------------------------|---------------------5-------|-----------
B|-7---------7---------7-------|-7---------7---------7-------|-----------
G|-7---------7---------7-------|-7---------7---------7-------|-----------
D|-------0-0-------0-0-----0-0-|-------0-0-------0-0-----0-0-|-----------
A|-----------------------------|-----------------------------|-----------
E|-----------------------------|-----------------------------|-----------
PM-/ PM-/ PM-/ sim.
___ ___ ______
E7/D | |-| | |-| | |-| D
| | | | | | | | |
E|-4-------4-------4------|-4-------4---4-5-7--4-5-|---------------------|
B|-3-------3-------3------|-3-------3--------------|-7------7------7-----|
G|-4-------4-------4------|-4-------4--------------|-7------7------7-----|
D|-----0-0-----0-0----0-0-|-----0-0----------------|----0-0----0-0---0-0-|
A|------------------------|------------------------|---------------------|
E|------------------------|------------------------|---------------------|
sim.
___F#5 G5 E5
E7/D | |-| |\ |\ |\ |. | | |. |. |
E|-----------------5------|-4-------4-------4------|-4------------------|
B|-7-------7-------7------|-3-------3-------3------|-3------------------|
G|-7-------7-------7------|-4-------4-------4------|-4------------------|
D|-----0-0-----0-0----0-0-|-----0-0-----0-0----0-0-|------------4--5--2-|
A|------------------------|------------------------|------------4--5--2-|
E|------------------------|------------------------|--------0-0-2--3--0-|
PM-/

At this point another distorted guitar enters playing a familiar melody,
the rhythm guitar just plays the power chords indicated.(B minor tonality)
The melody and chord progression are of course reminiscent of Metropolis
pt. 1 and appear later in Home.

B5 G5 E5
~~~~~ . . 1/2 ~~~~~
E|-------------------|-----------------------|--------------------------|-
B|-------------------|-----------------------|--------------7-8--10--8--|-
G|------------/11-11-|-11b------r--7--9-/11--|-9------\--/9-------------|-
D|-9--------\--------|-----------------------|--------------------------|-
A|-------------------|-----------------------|--------------------------|-
E|-------------------|-----------------------|--------------------------|-

D5 A5 B5 G5
H P ~~~ ~~~ 1/2 ~~~
E|-------------------|----------------------------|----------------------|
B|-7---8---7-^8^7----|----------------------------|----------------------|
G|----------------9--|--------------6-9-7--9--11--|-11b-r--9------9--11--|
D|-------------------|-9-----(9)\(7)--------------|-----------12---------|
A|-------------------|----------------------------|----------------------|
E|-------------------|----------------------------|----------------------|

E5 D5 A5
_______ /----- 3 _______-\ A.H. _______6________
| |-|-|-| | | | |-| | | | |--|--|--|--|--|
| ^| | | | | | | | | | | | ~~~ | | | | | |
E|----------------------------------|------------------------------------|
B|---~~~--------------10------------|------------------------------14-17-|
G|-12--------9-11-12------12-^14^12-|-11--/14--14------------15-16-------|
D|---------9------------------------|------------------14-16-------------|
A|----------------------------------|------------------------------------|
E|----------------------------------|------------------------------------|
PM-/ change to neck pickup

The sextuplet run leads into a mixolydian solo in F#. A similar melody
returns in One Last Time (2:03), with some wild modifications, though.

F#
_____ ____ _________ _____________ _____________
| | |\ | |\ | | 3 | |--| |---|=|-|---| |---|---|---|
| 1 | | | | | | 4 ^| | | | H |P| | | | | | |
E|--------------------------|-------------14-^18^14----------------------|
B|-17b-r--------------16-17-|(17)--14-17-----------17--14----------------|
G|----------15--------------|------------------------------16--15--------|
D|-------16--------16-------|--------------------------------------16-14-|
A|--------------------------|--------------------------------------------|
E|--------------------------|--------------------------------------------|

_____ A.H. ______ _____ _____ ____ _______3__
4 | | |\ | |\ |--| | | | | | | | | |-|-|
4 | 1 | | |~~~~ | | | | ^| | | | | | | | | |
E|-------------------------------|-----------------------------------|----
B|-17b-r-------------------------|---------------------------------14|----
G|----------15-------------------|-----/15\(13)-11-13\(11)-9-----15--|----
D|-------16--------16------------|-----------------------------14----|----
A|---------------------13/14-13--|(13)-/13\(11)-9--11\(9)--7---------|----
E|-------------------------------|-----------------------------------|----

_____ A.H. _____ _________ ____________ __________
4 | | |\ | |\ | | 3 | |--| |---|=|-|--| |--|--|--|
4 | 1 | | |~~~~ | | | 4^| | | | H |P| | | | | | |
E|-----------------------------|------------18-^21^18------------------|--
B|-17b-r---------------16--17--|(17)--17-19----------19-17-19-------17-|--
G|----------15-----------------|------------------------------18\15----|--
D|-------16--------16----------|---------------------------------------|--
A|-----------------------------|---------------------------------------|--
E|-----------------------------|---------------------------------------|--

______________ _____________ _____________ _____________
4 |---|=|--|---| |---|---|---| |---|---|---| |---|---|---|
4 | | | | | | | | | | | | | | | | |
E|------------------------------------------14----------------------|------
B|-16--17-16-14-----------------------------------------------------|------
G|--------------17--16--15--14--15--16--17------17--16--15--14------|------
D|--------------------------------------------------------------16--|------
A|------------------------------------------------------------------|------
E|------------------------------------------------------------------|------

_______6________ _______6________ ___3_______________
|--|--|--|--|--| |--|--|--|--|--| |--|--| |==|==|==| |
| | | | | | | | | | | | | | | | | | | 1 ^|
E|----------------------------------------------14-16-17/19b--------|(b19)
B|----------14-------------------------14-16-17---------------------|-----
G|----------------------------14-16-17------------------------------|-----
D|-14-15-16----16-15-14-16-17---------------------------------------|-----
A|------------------------------------------------------------------|-----
E|------------------------------------------------------------------|-----

Rhy Fig. 1 is repeated here, doubled with an acoustic guitar. After that,
the lead guitar returns with another melody (bridge pickup again). The
rhythm guitar plays again the power chords indicated. The chord
progression used here is the main progression in One Last Time and also
appears in Finally Free. (key of C# minor)


C#5 B5 G#5 A5
~~~~ ~~~~ ~~~~ ~~~ ~~~
E|-----------------|-----------------|----------------|-----------------|-
B|\4-----5-----7---|-4---------------|----------------|-----------------|-
G|-----------------|-------4---------|-4^6^4-----6--6b|b6-r-(6)\----6-8-|-
D|-----------------|---------------6-|----------------|----------/6-----|-
A|-----------------|-----------------|----------------|-----------------|-
E|-----------------|-----------------|----------------|-----------------|-
__3__
C#5 B5 G#5 A5 |-|-|
~~~~~~. ~~~ | | |
E|-----------------|-----------9---11|-11b-----r-9---|-----------------11|
B|-------7-(7)/9-12|-12--------------|-------------9-|-12b-----------12--|
G|-9---------------|-----------------|---------------|-------------11----|
D|-----------------|-----------------|---------------|-------------------|
A|-----------------|-----------------|---------------|-------------------|
E|-----------------|-----------------|---------------|-------------------|

B5
15 sixteenth notes throughout
16 1
E|-14b-r-11-------------------------------------------|-------------------
B|----------12----12-------12--------12---------------|-------------------
G|-------------11----11\9------9--8---------11--9--8--|-------------------
D|---------------------------------------9------------|-------------------
A|----------------------------------------------------|-------------------
E|----------------------------------------------------|-------------------

Here the sixteent run modulates to C Major, the rhythm guitar strikes
single chords, I placed the chord symbols directly above the corresponding
melody notes.

C5 D5 A5 B5
________ _______ ________ _________ _________ __________
3 |-|--|-| |-|-|-| |-|--|-| 4 |--|-|--| |--|-|--| |--|--|--| |
4 | | | | | | | | | | | | 4^| | | |^| | | | | | | | |~~~
E|------------------------------|-------------------------------------|---
B|---------------8-12-10-8------|~~~----------------------------------|---
G|-9-7---------9-----------11-9-|(9)-------~~~----------------11-9----|---
D|-----10-9-10------------------|---12-10-9--------------9-12---------|---
A|------------------------------|-------------12-10-9-10--------------|---
E|------------------------------|-------------------------------------|---

Here, a second guitar harmonizes the melody a third up. I notated it above
the first guitar part.

C5 D5
3
4 sixteenth notes
E|-------------------7--10-8--7-------|-----------------------------------
B|-8--7-----------8--8--12-10-8--10-8-|-----------------------------------
G|-9--7--9--7--9--9--------------11-9-|-----------------------------------
D|-------10-9--10---------------------|-----------------------------------
A|------------------------------------|-----------------------------------
E|------------------------------------|-----------------------------------

A5 B5 F#5
____________ __________ __________ __________ __________
5 |--|--|--|=| |--|--|--| |--|--|--| |--|--|--| |--|--|--|
4 | | | | | | | | | | | | | | | | | | | | |
E|---------------------------------------------------------------|--------
B|(8)-7------H--H------------------7--10-8--7--------------------|--------
G|(9)----9--7^9-^11-------------7-----11-9-----9--7--5--9--------|--------
D|---12-10--9^10^12-10-9--7--9--9--12-------12-10-9--7--10-7--5--|--------
A|------------------12-10-9--10----------------------------9--7--|--------
E|---------------------------------------------------------------|--------

Now the rhythm guitar stops playing chords and doubles the lead an
octave below. This part is notated below the lead guitar part.

3
4 sixteenth notes
E|------------------------------------|-----------------------------------
B|-------------------8--12-10-8-------|-----------------------------------
G|-9--7-----------9-----4--2-----11-9-|-----------------------------------
D|-2-----10-9--10-2--5--------5--4--2-|-----------------------------------
A|----5--3--2--3----------------------|-----------------------------------
E|------------------------------------|-----------------------------------

___________3___________ __________ _________ __________
5 |--|--| |-|--| |--|--| |--|--|--| |--|--|-| |--|--|--| 2 | |
4 | | | | | | | | | | | | | | | | | | | | | 4^| |
E|------------------------------------------------------------|----------|
B|-----------H--P---------------------------------------------|----------|
G|(9)--------------------------------11-9---------------------|----------|
D|(2)12-10--9^10^9-------------9--12-4--2-12-10-9--7--10------|----------|
A|----5--3--2^3-^2-12-10-9--10-2--5-------5--3--2--0--3--9--7-|(7)--(x)\-|
E|-----------------5--3--2--3----------------------------2--0-|(0)--(x)\-|

The following riff is very similar to the one leading inth the wacky piano
part in The Dance of Infinity at 2:24.
__________ ________ _______ _______ _______ _______ _______ ___
4 |--|--|--| |-|-|--| |-|-|-| |-|-|-| 7 |-|-|-| |-|-|-| |-|-|-| |-|
4 | | | | | | ^ | | | | | | | | | 8 | | | | | | | | | | | | ^ |
E|-------------------------------------|-----------------------------|----
B|-------------------------------------|-----------------------------|----
G|-------------------------------------|-----------------------------|----
D|-------------------------------------|-----------------------------|----
A|-------------------------------------|-------------3-3-2-2-1-0---0-|----
E|-12-0-12-11-0-0---10-9-0-8-7-0-6-5-2-|-3-3-2-2-1-1-----------------|----
PM throughout play twice

Here, the part leading directly into Strang Deja Vu begins. The same riff
is played in the 2nd verse. Tonality oscillates between G# and F Lydian.

G#5 G#+11 G#
_______ _______ _______ _____ _______ ___
|-|-|-| |-|-|-| |-|-|-| |\ 4 | | |-| | |-| | | |-|
| | | | | | | | | | | | ^ 4 O ^| | | | | | |. O | |
E|-----------------------------|----------------------|-----------------|-
B|-----------------------------|----------------------|-----------------|-
G|-----------------------------|-8------------8-------|-7------5--------|-
D|-----------------------------|-6--------6-6-6---6-6-|-6------6----6-6-|-
A|-------------3-3-2-2-1-0-----|----------------------|-----------------|-
E|-3-3-2-2-1-1-----------------|----------------------|-----------------|-
PM- - - - - - - - - - -/ PM-/ PM-/ PM-/

G#5 G#6 G#+11 G#5 F5
similar rhythm
E|-----------------------|---------------------|-----------------------|--
B|-----------------------|---------------------|-----------------------|--
G|-8-------------10------|-7-----8-------------|-5-------------5-------|--
D|-6---------6-6-6---6-6-|-6-----6---------6-6-|-3---------3-3-3---3-3-|--
A|-----------------------|---------------------|-----------------------|--
E|-----------------------|---------------------|-----------------------|--
sim.

C+11 C C5 C6 C+11 C5
similar rhythm
E|-----------------------|---------------------|-----------------------|--
B|-----------------------|---------------------|-----------------------|--
G|-4---------2-----------|-5-----------7-------|-4---------5-----------|--
D|-3---------3-------3-3-|-3-------3-3-3---3-3-|-3---------3-------3-3-|--
A|-----------------------|---------------------|-----------------------|--
E|-----------------------|---------------------|-----------------------|--
sim.

Here, we have a change to B Lydian.

B5 B+11 B C# C#4 C#
_______ _____ ____ _____
|-|-|-| |-| | |- | | |-|
| | | | | | | ^| |. ^| | | sim.
E|-------------------------------|---|-------------------------------|---|
B|-7-7-7-7-7-7-6-----4-----------|---|-9-9-9-9-9-9-7-----6-----------|---|
G|-4-4-4-4-4-4-4-----4-------4-4-|-|-6-6-6-6-6-6-6-----6-------6-6-|-|
D|-4-4-4-4-4-4-4-----4-----------|---|-6-6-6-6-6-6-6-----6-----------|---|
A|-------------------------------|---|-------------------------------|---|
E|-------------------------------|---|-------------------------------|---|
PM-/ PM-/

G#5 G#+11
_______ ______ ______ _______ _______
|-|-|-| | |-| |-| | |-|-|-| |-|-|-| |\ | | | | ^ | | | | ^ | | | ^ ^ | | | | ^
E|---------------------------------|-----------------------------------|--
B|---------------------------------|-----------------------------------|--
G|-8-8-8-8-----8-8-8-8-----7-7-7---|---7-7-7-7-------------------------|--
D|-6-6-6-6-----6-6-6-6-----6-6-6---|---6-6-6-6-------------------------|--
A|-6-6-6-6-----6-6-6-6-----6-6-6---|---6-6-6-6-------------------------|--
E|-4-4-4-4-----4-4-4-4-----4-4-4---|---4-4-4-4-------------------------|--

...at this point Strange Deja Vu begins.


RHYTHM NOTATON:

Most of the symbols try to look like regular notes. Rests are indicated
with ^.
___ ___ ___ __3__
| |\ | | |\\ |-| |=| | | | | |
^ | | | | | | | | | ^ | |. O
quarter eighth sixteenth 32nd eighth note triplet dotted half
rest (w/rest) note

Example of a tied note: This: is a compact version of:
___ _______ __________
| | | = | |\ - | -| |- | --|
| ^| | |. | | | | | | |

and so on...
The numbers beside the notes are, of course, time signatures.

TABULATURE EXPLANATION:

1 ~~~~ H P T .
-----------------------------------------------------------------|---|----
---9b----r---------7-------9^11---11^9--------9-14--------5------|-|----
-----------------------------------------------------------------|---|----
bend release vibrato hammer-on/pull-off tap staccato repeat
(1 whole step) last bar

1 tr~~~~~ P.H.
------------------------}5------------------------------------------------
---b9--b9----9(11)------}6--------4/5-8\------------x------4------<5>-----
------------------------}7-----------------0-0----------------------------
PM-/
hold bend trill arpeggiate slide palm muted pinch/natural
(or pre-bend) mute strum harmonics

T tr~~~ \ (\)/ / \ *****
------------------------------------------------------------------------
---x\-(x)\----9(16)----------//--------9--------12--------14------7-----
------(x)\--------------------------------------------------------------

en la vena aorta

si llego a tener un perro le pondre de nombre "gato" (ke interesante)

kiero kiero kiero (y no son piketes en el agujero)

me gustaría dejar de sentir... por el momento si

extraño eso... no me kansaré de decirlo

una putisima cuatrimoto... todo hubiera sido diferente

no se... me da miedo aprender a manejar...

aire en el atardecer, parace mas puro los cerros se ven, el cielo se keda limpio, ke raro

mi rutina

satanico

envidioso

porke no puede ser todo komo kiero?

el tiempo lo inventó el hombre?

ojalá se akabe pronto el mundo

tengo sueño pero no me kiero dormir

putas todito card

montaña rusa?

ahora todo va al revez

chingo de mecos

narcos satánicos

no sé porke no puedo dejar de exhibirme

podrido

agotamiento

dichoso

dichoso

la vagina muda

razón

silencio

razón

nubes

perfección

siento

extraño

ahogarme

habitación

esperanza

imaginando

todavía

olvidar

ya se me va a kabar la tarjeta de todito asi ke aprovcharé y pondré pura idiotéz

I am war, I am pain
I am all you've ever slain
I am tears in your eyes
I am grief, I am lies

I am pure, I am true
I am all over you
I am laugh, I am smile
I am the earth defiled

I am the cosmic storms
I am the tiny worms
I am fear in the night
I am bringer of light

-Dimmu Borgir

kon kien me tengo ke portar bien para ke me regalen una asi?

mierda, esto es lo kastrante de los viernes, salgo a las 11:30 y me tengo ke esperar hasta las 3 para el ingles, pero ni pedo ademas hoy tengo examen... el mierkoles me kortè la greña ya no voy a poder kantar kon orgullo "greñudos lokos" de brujerìa, pero ya crecerà y jedbanguearè (puño cerrado al aire) , mientras tengo ke aguantar la musika positiva ke esta en el foquin ciber lo chido es ke me enkontrè kon el ke viene por ti en las noches si no te duermes, ke pendejo no se porke se me olvidaron los dixmaaaaaaaaaan y asi estarìa leyendo y escuchando mensajes subliminales y no perdiendo mi "valioso" tiempo kon mi blog...

tal vez no se trate de si es dificil de sentir, tal vez es dificil de comprender
siempre ha sido asi, ha estado viviendo dentro de ti... esa necesidad de lanzarte al infinito
sin saber si regresarás, si regresarás con vida, si regresaras cuerdo

No sabes si tomar el riesgo, |debil está tu cuerpo... sin fé tu alma|
Está ese algo que te impulsa a cruzar la puerta de la insanidad
esa linea que divide a los grises de los rojos.

Como si volando pudieras sonreir con tranquilidad
es que no te has dado cuenta que pronto caerás cometiste el error de volar
debes de tomar en cuenta algo

Esta vida es una mierda y eso siempre lo debes tener presente
para que cuando suceda no te tome por sorpresa, es lista, ella sabe cuando dejas de creer
para demostrartelo... una vez mas

Saben ultimamente he estado pensando pendejadas (ay no mames ke raro) ... bueno no... ya nada

the time has come to make a difference
why have we forsaken love
the time has come to raise our voices
so rise up and fight with me-killswitch engage